“Make art?” You’ve got the right idea, old newspaper bin at a random Bushwick gas station.
I went down to Brooklyn last night to hang with the J-Bird, because I haven’t seen him since the end of the school year when we were both strung out on stress and a myriad of other, less tangible things; he maybe even more than I.
The original plan was to head down to SummerScreen in McCarren Park to maybe watch The Goonies or maybe not watch The Goonies (J-Bird doesn’t like The Goonies…can you even imagine?), but I’m a moron who can’t get on the right train, apparently. And getting anywhere in Brooklyn is always needlessly involved. So by the time we entered the park the ground was completely covered in a blanket of Brooklynites sitting on bedsheets and newspapers, beer and picnic spreads within reach.
We stayed for a while anyway: no one minding that we were shouting over the dulcet chords of Hector’s Pets because everyone else was also there to shout over the band and just hang with each other. I should have gotten a picture of that I guess, the crowd of people and a movie screen that was about as big as a thumbnail in the distance, but I often forget to take pictures when I’m around J-Bird. It’s a thing.
We ended up leaving for Bushwick pretty early on, anyway. One of the previews was completely in French and my companion couldn’t tell because he couldn’t hear so…
I’m writing this, by the way, under the assumption that no one I met last night will ever read this, and by and large I feel that this is a valid assumption. Internet: don’t fail me now.
Anyway. In J-Bird I’ve found someone who navigates very much like myself. We both use the Google Maps app like it’s a game of hot and cold, staring at our dots to see if they’re going in the right direction and doubling back more often than not. We miss turn-offs and subway stops and always find the most convoluted way to trace our steps back. If I weren’t us, I’d be worried about us.
I’m worried about us.
Eventually, we did make it to Bushwick. And I think I may have fallen in love with that neighborhood. J-Bird’s cousin bumped into us by the food carts, which in retrospect isn’t that surprising considering we were just outside the L stop, and he now makes three people I know who work at the same tech start-up. Obviously, this is a sign from the gods; I’m just not sure what it’s indicative of yet.
We walked together on the shuttered streets: houses cluttered against warehouses littered against stores with their doors and windows locked away tight. It’s dark down there, compared to Manhattan. Compared even to when I’m the only one walking down Mott at three in the morning. Sparser, when you move away from the main roads. And maybe the street lamps even carry more of an amber hue, diffusing their light more dimly in the darkness.
J-Bird and his friends found a really nice place. A two-story walk-up with white siding and a mural of a girl despairingly turning her face up at the light pollution sky pasted all down one side of it. Her face looms along a rooftop balcony that looks out onto the tracks of the M train, elevated high above the streets.
The house itself was full of crazies when I got there. J-Bird and our friend (and one of his roommates) the Philosopher were already confirmed as mild-mannered sociopaths, but I finally met the third of their trifecta and now I understand the dynamic. I met a dancer with no inhibitions: not even the ones that are instinctual and are never taught. I met a Russian girl who was almost unnervingly earnest, and taking time off to get her life together. I met another girl crashing in the living room on a futon who, by description, apparently was more married to her boyfriend than many husbands are to their wives, and a final sandy-haired boy I didn’t speak more than a dozen words to. He was fast asleep by some normal time: dead to our inconsiderate loudness.
New York is a vertical city. And I guess that’s true even when you’re way out of the way in a place where the highest structure is the subway. Because even then life happens on rooftops, where cigarettes are currency and conversation is smoke wafting away like so many words to the wind.
And so we laughed and spoke of many things. Music, obviously, because so many of us present straddled that weird divide of aesthetics and technology. But also of more obscure things. The Gospel of Thomas, where Jesus plays the part of a bodhisattva. Of monastic life and sweeper monks and the almighty janitorial service. Of what it means to want to create art for the rest of your life but having no idea yet what to do about it. And then came the lull when I watched the other girls dance: unselfconsciously sure of their bodies in a way that was at once completely foreign and also a reminder of what I’ve lost.
I’ll be fascinated to learn what everyone on that rooftop will become. It was a strange brew of the casual insincerity that I’ve become accustomed to and am an active participant in, of probing questions that were at once innocuous and unmasking, and of the sheer force of utter insanity packed into tight spaces.
I stayed late with them there. J-Bird saw me to the door in the small hours, a sloppy smile hanging crooked on his face. He’s always happier by the time I’m leaving, which always leaves me to ponder what kind of terms I’m on with him, as a friend. Whether he’s happy to or indifferent to see me. He promises we’ll hang out again, this summer. I hope so. J-Bird is chill. I want to get him to make music with me, but he seems to like the idea of the thing more than the thing itself. I respect that. I do that a lot, too. But I always want to make music with my friends. We’ll see.
He sent me off by telling me just to follow the M tracks until I got to a station, without indication of how far I would walk until I found one. Which was fine, because the unknowing leant generously to the eerie splendor of that evening. The huge, rusting stilts of the subway tracks bit into the pavement like the legs of some monolithic creature with the body of a segmented worm that snaked high above the streets. The B buses passed beneath it, their low-hanging maws scraping the pavement with screeches that echoed off of steel-shuttered storefronts. And from the sidewalk, the road blurred into a dystopic dreamworld of graffiti tags and solitary walkers, each going their own ways.
The path was interminable, and so was the wait for a late night train. I didn’t mind much: it was like walking in Blade Runner without the rain. It was like sitting in my own imagination. It was the infinite pleasure of seeing train tracks in the night, and not quite being sure where they lead.